Script and breakdown
Import in Telugu, Tinglish, Tamil, Hindi or English. Scenes, characters, props, costumes, locations, INT/EXT, day/night and page eighths come back as structured data — not a PDF you re-type into Excel.
Day 14 of 52 · Unit 2 · Ramoji
Run the whole
movie production
in real time.
Breakdown, stripboard, call sheets, budget and the footage sitting on your set — one system, and your crew keeps talking the way they already do.
Telugu, Tamil, Hindi and English scripts — breakdown in about a minute.
Sheet 14 — Fri 04 Sep6:00a call
41EXTChai stall, market lane2 3/81,4,7
42INTRavi’s kitchen1 1/81,2
43INTPolice station — corridor3 2/82,5,9
44EXTHighway, kilometre 301 6/81,3
45EXTTemple steps0 7/84
5 scenes · 9 4/8 pagesest. wrap 7:40p
Your production already runs on software. It’s just the wrong software.
Four WhatsApp groups. A call sheet PDF that was wrong before it finished sending. An Excel budget only the production manager can read. And the day’s rushes in a bag on someone’s bike.
Nothing talks to anything else, so the same information gets typed four times and is stale by lunch.
Everything the production touches, in one place.
Grouped the way a shoot actually runs, not the way software usually gets sold.
01 Before the shoot
Script divider
Split the script into scenes and generate sides per department and per actor. Nobody receives more of the script than their role allows.
Stripboard and schedule
A first-pass shooting order built from actor availability, location grouping and day/night. Your AD refines it instead of starting at a blank stripboard.
Budget breakdown
Every scene carries its cost. Above the line, below the line, and what each shooting day commits you to — before you commit to it.
Versioned script PDFs
Proper revision colours — white, blue, pink, yellow, green, goldenrod — with asterisked change marks and A-pages, so locked scene numbers never shift under your schedule. Export the script, sides per actor and department, or a diff of what changed since the last colour.
Every PDF signed to one person
Scripts, sides and call sheets are watermarked at the moment of download with the recipient’s name, role and time. Nothing is pre-generated and nothing is anonymous.
02 On the day
Call sheets
Generated from the schedule, so they cannot drift out of sync with it. Pushed to every phone with read receipts, so you know who has actually seen tomorrow’s call time — and who still needs chasing.
Groups and chat
Department channels, unit channels, and the one group where everybody shouts — with voice notes, photos and offline queueing for the locations with no signal. Searchable and permanent, instead of scrolled past and lost.
Tracker and boards
Kanban per department, a Jira-style tracker for anything with an owner and a date, and jam boards for the things still being argued about.
Props and costume
Every element the breakdown found becomes trackable — sourced, on set, or still missing, and which scene needs it on which day.
Location log
Permits, contacts, access notes, parking, power and the recce photographs, attached to the scenes that shoot there.
Production planning
Day-out-of-days, unit splits, company moves and actor working days — the plan every department is arguing from, kept in one version.
03 After the take
Connect your NAS
A small agent sits on your on-set storage. It checksums every new file, makes a proxy locally, and uploads only the proxy. The original never leaves the set.
Media viewer
A producer anywhere in the world watches a take fifteen minutes after it is shot, over a phone connection — no 4K upload, no Hollywood budget.
04 Across the whole shoot
Roles and restrictions
A line producer, a costume head, a financier and a director open the same app and get four different products. Everyone sees exactly their job and nothing more.
Budget tracker
Spend lands against the scene that caused it. Burn rate against schedule progress, so you learn you are over on day 20 rather than day 50.
Why this needs AI — and where we refuse to use it.
Your scripts are written in Tinglish. There is no parser anywhere that reads romanized Telugu — no fixed grammar, no standard spelling, no two writers doing it the same way. That single fact is why this is built on a language model instead of a rules engine, and why it handles every language rather than only English.
Breakdown in any language
Telugu, Tinglish, Tamil, Hindi, English. About a minute for a feature script. Every competing tool is English-only.
Chat becomes action
Someone types rendu rojula tarvata location marchali in a group. It becomes a proposed schedule change, routed to the departments it breaks, waiting on one confirmation. Nobody has to learn a project management tool.
Everyone reads their own language
A Telugu message reaches your international DOP in English. Their note comes back in Telugu. The original is always one tap away.
The daily report writes itself
At wrap, the day’s messages, shot log and uploaded media become the DPR. That is an hour of an AD’s night, every night of the shoot.
What did I miss
Four hundred messages across twelve groups, reduced to what changed, what is blocked, and what needs your decision.
Overrun forecast
Burn rate against schedule progress produces a wrap date and a final cost early enough that you can still act on them.
Footage finds its own scene
Slate OCR, audio and timecode tag every clip to its scene and take. The manual logging job disappears.
Ask the production anything
“How many days do we still owe on the village set?” “Did anyone confirm the crane for Thursday?” It has read the script, the schedule, the budget and every message.
Where we refuse to use it
We will not write your script, generate your storyboards, or cast your film. AI here does the typing, the tallying and the translating — the work nobody wanted at eleven at night. The filmmaking stays yours.
A leak has a name on it.
Scripts and sides go out watermarked per recipient, and every download is logged. A vendor quoting on one scene sees one scene.
This is the reason most producers will not put a script in a shared Drive folder — so it is built in, not sold as an enterprise upgrade.
Built alongside a real production, not in a vacuum.
We are building this with a feature that is shooting right now. If you produce films and want it shaped around how you actually work, come and break it.